Wednesday, August 13, 2014

Show & Tell v. 8.01

Comet Lovejoy over Lake McDonald in Glacier National Park (c) John Ashley
"Silent Night." Comet Lovejoy over Lake McDonald in Glacier National Park
"Wow, these are phenomenal," he gushed. "If I brought you my cameras, how much would you charge to teach me how to use them?"  "Well," I paused, "It depends. How smart are you?" "Well, not that smart," he offered. "Then I'll have to charge you extra."

"Boy, you just have to be in the right place at the right time, doncha'?" Yep, that's all it takes lady. That, plus the months and years of planning and effort to be in the right place at the right time. Oh, and a wee bit of skill with a camera helps, too. That, and thick skin when people confuse all of your skill and work with a little bit of luck.

He said, "This is spectacular work." She said, "And he's not just being sarcastic." I briefly considered trading a print for his t-shirt, which read, "National Sarcasm Society. Like We Need Your Support."

"I've been coming to this show (Sweet Pea, Bozeman, MT) for 20 years, and you have the best photography I've ever seen." Wow. Thanks.

Seven-year-old girl, "What is that a picture of?" "It's the moon during a lunar eclipse," I explained. "Were you in outer space when you took that?"  "No," I said, sadly, "I had to stay on Earth. It's much easier to breath here."


"I work at (local photography supply house) and I see so much photography that I usually just walk right past," she explained. "But your's is different from the rest." "How so," I asked. "You're not just a guy playing with a digital camera. You have an eye. You're an artist."

Thursday, July 10, 2014

A Bigger Flashlight

Under a midnight Milky Way, the headlight beam from a westbound train paints the foothills
framing Mount St. Nicholas, along the southern edge of Glacier National Park. 
For three of my first light painting photographs, back in the late 1970's, I used a flashlight to paint a small Big Bend cave, a Vivitar 283 strobe (still have that old guy) to paint a new house and yard at night, and three lightning bolts in a central Florida thunderstorm at midnight to create a ghostly self-portrait.

For my most recent light painting, a couple of months ago, I used a bigger light - the headlight on a train. In "Midnight Train," a westbound train was winding its way along the valley floor, from camera right to left, while I shot sets of 14 images to stitch together later. When the headlight swept across the foothills, I thought, "Dang, there goes that set." Then I reconsidered. I like it. A lot.

Sunday, June 22, 2014

Brain-pretzel Timelapse



This beauty turned up on a science blog I regularly read, and it is simply amazing. It looks to be many orders of magnitude more challenging than the simple timelapses that still give me technical troubles from time to time. Photographer Vincent Brady, of Lansing, MI, explains some of it here - wait until your head is clear before reading. It makes use of a custom quad fisheye setup of his own creative design. But first, watch this video.


Thursday, April 24, 2014

New Note Cards for 2014

You asked, we listened. Hot off the presses, we are rolling out six new note card designs to add to our selection.

"Dream Catcher" (top left) is quickly becoming one of our top-selling canvases. "Owl Eyes" is for all of you owl fans who keep asking for more. And I had no idea when I made "Remember Me" that many of you featured forget-me-nots in your courtship and weddings.

Joining our panoramic card line-up, "Pasqueflower" joins our native wildflower series, while "Who Nose" shows a touching moment between two courting, wild and free-ranging black bears. Finally, "Heaven on Earth" seems to have a life of its own, touching many kind folks in ways I never could have imagined or planned for.

You can order these new designs by phone or email now, and they'll end up on the website soon. I am in the middle of a complete website re-build, which has already taken far longer than I expected. So for now, hope for crummy weather so I don't feel so bad about working indoors.

Tuesday, April 15, 2014

Lunar Eclipse

April 2014 lunar eclipse (c) John Ashley
April 2014 total eclipse of the moon

The forecast called for 70% cloud cover, turning slowly to rain. But right after the lunar eclipse started this morning, the clouds parted long enough for me to enjoy occasional views of the orange full moon. At every opportunity, I made exposures for the sunlit and shadowed sides of the moon.